Final Submission for Week 5

William Ouyang

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"The Three Words"

Upper Client: Khyzyl Saleem

  Heavy  -----  Advancing  -----  Aggressive

Lower Client: Mountain and Moon

      Round  -----  Suffocating  -----  Scaly

"18 Sections"

Aggressive,Scaly 

Heavy,Suffocating

Aggressive,Round

 Advancing,Scaly

Advancing ,Suffocating

Advancing,Scaly

Heavy, Scaly

Aggressive, Restricting

Heavy, Round 

Scaly, Aggressive

Suffocating, Heavy

Round, Aggressive

 Scaly, Aggresive

Suffocating, Advancing

Scaly, Advancing

Scaly, Heavy

Restricting, Aggressive

Round, Heavy

AND the Final / Best / Chosen Combination:

" Aggressive, Scaly "

"36 Custom Textures"

Light, Transparent, Sturdy, Smokey, Slimy, Brittle

Scattered, Flexible, Patterned, Fine, Pixelated,Filtered

Glowing, Round, Flowing, Layered, Shards, Rippling

Compressed, Dense, Durable,Shiny, Cubic, Uniform

Puzzle,Flammable,Geometric,Thin, Fragile, Reflective.

Hexagonal, Symmetrical, Microscopic, Clustered, Contrasting, Stacked.

The Final / Best / Chosen Textures:

 FLEXIBLE

PUZZLE 

 SCATTERED

FLOWING 

"The Developed Stair"

- Layout and relationship of building to the stair is improved and no longer has a "head hitting roof" scenario when walking up the stairs

------------------"The Architecture"------------------

The purpose of the building has been designed in regards to both clients, whilst placing high consideration on:

-Relative Size of objects

-Proportions

-Orientation

-Texture and Colour

Aswell as altering the piece from Top to Middle to Bottom as Workshop, Showroom, and then Workshop respectively.

Stage 1:



Stage 2:



Initial Flat Surface at the background with triangular glass shards has been replaced.

Stage 3:
Perspective Shots:

Relative Size: The initial concept of design using the shards in the roof has been adapted and enlarged in size in order to create the entrance. This intends to further portray the feel of "aggressiveness" in which the structure is designed.

Orientation: Placement of the car workshop allows for ample space for the serviced vehicles to lower onto the floor and drive down into the showroom level

 Texture and Colour: The car workshop texture consists of broken puzzle pieces whilst the floor runway is contrasting of a completed puzzle piece. This symbolises the construction process as well as the finished process of the cars.

Texture and Colour: The monochromatic and duller colours for this entrance are purposefully used in order to convey that this entrance is for a different showroom as it heavily contrasts to the colourful and glass decor as of the Khyza side.

Relative Size: However, the doorway is designed in a similar manner to the 'scaly' theme of the stairs as the round sections are enlarged and surround the doorway.

Proportions: The proportions of the stairs have been manipulated and enlarged in order to create tables in the middle area which is used to display the finished jewellery.

Relative Size: The small size of the steps are enlarged in order to fit the jewellery onto the table. There have also been regular tables placed to show the comparison between the newly made tables.

Relative Size: The small step components from the stairs has been elongated to form a workbench. This elongation of the size of one step is used to create a workbench - better defining the bottom space as a workspace rather than a showroom.

Sectional Perspective Shots:

[Extra]Defining details of the building: 

- The shape of the ground (Middle of Picture)  rises to go with the 'scaly' theme , and this works practically aswell, as it is a barrier of the cars to not go off the edge.

-Broken Jig Saw Puzzle Texture (On the right wall) in the workshop constrasts to the pieced jig saw puzzle in the runway (Floor)

------------------------"End"-------------------------